Titanic Rising - Weyes Blood LP
Classic torch songs for a lost summer built on synth, strings and beautifully effortless vocals - music for the end of the world. Californian-born Natalie Mering has long been making hearts sing. This is her fourth album and her first on Sub Pop. She’s previously guested on tracks by Father John Misty, Perfume Genius and Ariel Pink. These are her very own atmospheric and sacred synth sounds. Strings emerge into music for a place that’s not been touched for 100 years. These are the songs they played as the Titanic sunk and that pleased the sea so much Neptune released the ship back into the light. These are torch songs with poignant vocals like the memory of a lost summer. Gloriously effortless vocals slink like velvet over music for the end of the world. This could be a songbook collection of a 50-year career.
Classic torch songs for a lost summer built on synth, strings and beautifully effortless vocals - music for the end of the world. Californian-born Natalie Mering has long been making hearts sing. This is her fourth album and her first on Sub Pop. She’s previously guested on tracks by Father John Misty, Perfume Genius and Ariel Pink. These are her very own atmospheric and sacred synth sounds. Strings emerge into music for a place that’s not been touched for 100 years. These are the songs they played as the Titanic sunk and that pleased the sea so much Neptune released the ship back into the light. These are torch songs with poignant vocals like the memory of a lost summer. Gloriously effortless vocals slink like velvet over music for the end of the world. This could be a songbook collection of a 50-year career.
Classic torch songs for a lost summer built on synth, strings and beautifully effortless vocals - music for the end of the world. Californian-born Natalie Mering has long been making hearts sing. This is her fourth album and her first on Sub Pop. She’s previously guested on tracks by Father John Misty, Perfume Genius and Ariel Pink. These are her very own atmospheric and sacred synth sounds. Strings emerge into music for a place that’s not been touched for 100 years. These are the songs they played as the Titanic sunk and that pleased the sea so much Neptune released the ship back into the light. These are torch songs with poignant vocals like the memory of a lost summer. Gloriously effortless vocals slink like velvet over music for the end of the world. This could be a songbook collection of a 50-year career.
